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January 22, 2013, 2:34 pm
Of all the collaborative filmmaking crafts, editing is perhaps the hardest creative art to judge, yet among the most critical in terms of shaping the story. Although during the course of the production the editor usually puts the initial edit together, sometimes with little input from the director, once production is complete the polishing of the film is normally done in close partnership with the director, blurring the line between the editor's contribution and the director's vision.
January 21, 2013, 2:23 pm
There’s no getting around the fact that Don Coscarelli makes some odd films. After his latest project, John Dies at the End, toured the festival circuit for nearly a year, it is finally getting a release on VOD and will hit theaters in limited release later this month. When I caught up with the director at SXSW in March of last year, it was the morning after a hectic day where he had just screened his new cut of John Dies at the End at midnight.
January 17, 2013, 6:49 pm
Norman Holly, editor, author, and professor sat down with Gordon to discuss two new job positions that have opened up at USC, what’s required for these positions and his approach to teaching. If you are interested in applying go to www.uscfilmediting.wordpress.com.
January 17, 2013, 12:31 pm
In some ways, the job of film editors is to make their work invisible. They hope that audiences don’t notice the editing and see only that a clear path has been drawn to the heart of the film’s story.
January 15, 2013, 2:42 pm
DALLAS—Continuing to grow its creative staff, Dallas editorial boutique Treehouse has hired editor Jayson Limmer. Formerly with 3008, Limmer arrives with more than eight years of experience in cutting spots for agencies in Dallas and other markets, and credits that include such brands as Charter, Western Union, Gamestop, Red Lobster, HEB and Zales.
January 12, 2013, 2:07 pm
I've been a professional editor since 2007, after clawing my way up through the ranks as an assistant editor, logger and, the lowest of the low, film student. You name it, I've cut it—short and feature films, documentaries, television series, music videos, commercials.
January 11, 2013, 3:35 pm
Cut+Run's Georgia Dodson has officially taken the editor's chair. Dodson's passion for documentary and docu-style editing is evident in her contribution to last year's Super Bowl Campaign for Prudential via Droga5 and the award-winning short documentary Meaning of Robots. At 21, she found herself serving dinner to David Lee Roth during a blizzard on the Lower East Side. Bitten by the editing bug, she launched her career at Final Cut, where she first met Rana Martin, now EP of Cut+Run NY.
Editor Sam Rice Edwards joins us from the UK to discuss his work on the Youtube documentary Life In A Day 2020.
Gordon sits down with Marco Capalbo to discuss editing for Werner Herzog and crafting Fireball: Visitors from Darker Worlds. ...
Editor Mikeel Nielsen and Sound Designer Nicolas Becker discuss creating the film The Sound of Metal. We explore how to make ...
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